Larry Jordan's Final Cut Training

Sign up for Larry's FREE
Monthly Newsletter!

Fun Facts About Reel Numbers

Larry Jordan

[This article was first published in the February, 2004, issue of
Larry's Final Cut Pro Newsletter. Click here to subscribe.
Updated 8/19/2006 ]

Whether you use Capture Now or Log every clip, making sure you have the correct reel numbers, or names, assigned to your clips is essential. Especially if there's the possibility you will need to recapture your media later. (A reel number can be any combination of letters and numbers. If you plan to go to an EDL, keep the number short. Different EDLs support different length numbers, none of which is longer than eight characters.)

However, sometimes in a fit of wild exuberance, the wrong reel number gets assigned. Since reel numbers are stored with the actual digital media files on your hard drive, it is important to make sure the reel numbers are correct.

How can you change it? Several ways:

    1. If you need to change an existing number to something new, double click on the reel number in the Browser and type in the new number
    2. If you need to change an existing number to a different reel number which is already associated with a different clip in the Browser, control-click on the reel number and select the correct number from the list of all reel numbers currently used in your project.
    3. If you need to change a number of different clips all to the same reel number as other clips in the Browser, select all clips you want to change, and control click on the reel number of any selected clip. All other selected clips will have their reel numbers changed to the same reel number.
    4. This makes staying organized easy.

      - - -

UPDATE - A Faster Way to Rename Reel Names

Sean Lander, of Rednail Media in Australia, writes:

Recently I was working on a feature film that had a lot of camera and sound reels. Because the sound reels were recorded on an disk recorder the reel names that FCP was assigning to the audio files were not what I wanted.

Easy I thought, just re-name one clip and then lasso and right click on the rest to bring up a list of all the reels and select the correct one. Well at first this worked well. The only problems were that, first, Final Cut Pro has a very odd way of displaying the list of reel numbers to choose from. I cannot figure out the logic of it. Second, there were over 150 reels associated with the project. So right-clicking on the reels to be changed would bring up a massively long list that was in no particular order.

It was quicker just to rename each clip individually.

Until I remembered an odd thing about Find Results. When you do a Find command, Command+F, and then SHOW ALL the results are displayed in a new window that acts almost like a new project. What is handy about this list is that these clips in the Found Items bin seem to be independent from the project from where they were found.

So if you want to rename all the clips with say MX80 in the reel name to A045 just do a search for the name MX80 in the reel and select SHOW ALL.

Then when the resulting bin appears with all the clips, all you have to do is rename the reel name for one of clips manually, select the rest, and right-click on the reel column. The list will only contain two items: MX80 and A045.

Changing the reels in the Find Results Bin changes all the found clips in your project, saving you a lot of eye strain trying to find the right clip number in a very long list.


This tip is from the February, 2004, issue of "Larry's Final Cut Pro Newsletter," a very cool FREE monthly Final Cut Pro newsletter -- subscribe at Larry's web site: www.larryjordan.biz.

Larry Jordan is a post-production consultant and an Apple-Certified Trainer in Digital Media with over 25 years experience as producer, director and editor with network, local and corporate credits. Based in Los Angeles, he's a member of both the Directors Guild of America and the Producers Guild of America.

Any references to trademarks or products are used for editorial purposes only. Text copyright 2006 by Larry Jordan and Associates, Inc.. All rights reserved.

 

       

 


Larry Jordan is a post-production consultant and an Apple-Certified Trainer in Digital Media with over 25 years experience as producer, director and editor with network, local and corporate credits. Based in Los Angeles, he's a member of both the Directors Guild of America and the Producers Guild of America.

The information in this article is believed to be accurate at the time of publication. However, the author assumes no liability in case things go wrong. Please use your best judgment in applying these suggestions.

The opinions expressed in this article are solely those of the author. This newsletter has not been reviewed or sanctioned by Apple or any other third party. All trademarks are the property of their respective owners and are mentioned here for editorial purposes only.

Links to my website home page or this article are welcome and don't require prior permission.

                   

Home | About | Training | Articles | Goodies | Products | Email Support | Contact

© 2007, Larry Jordan & Associates, Inc. All rights reserved. info@larryjordan.biz